Peruvian Immersion For A Day @ National Gallery of Australia, Canberra

Date of Visit: March 29 2014

If your much anticipated hiking trip to Peru is cancelled what would you do?  Well, Bestie and I made a road trip to Canberra to gawk at the exotic Inca treasures of the ancient Peruvian civilisation at the National Gallery of Art in Canberra – aptly called ‘Gold and The Incas: Lost World of Peru” (here).

The exhibition is a key component of Canberra’s centenary celebrations in 2013 and also significant in that it marks the 50th anniversary of Australian-Peruvian diplomatic relations, and is organised in co-operation with the Peruvian Ministry of Culture.  As such, the works of art are lent by the Museo Nacional de Arqueología, Antropología e Historia del Perú and its fraternal collections, the Fundacion Museo Amano, the Museo Larco and the Museo Oro del Perú – museums that were on our trip’s agenda –  as well as the collection of the National Gallery of Australia.

Would it  surprise you that the Inca Empire lasted only 100 years?  This is a very short time for such a vast and famous enterprise!

In a nutshell:

“The Incas conquered all of Peru and much of Chile, Bolivia, Argentina and Ecuador.  The state governed from the capital city of Cuzco by a system of duties, taxes and rewards.  20,000km of roads enabled efficient and speedy communication.

The Emperor was The Son of The Sun God and the pinnacle of an extremely hierarchical society.  The Inca state region demanded scarifices, human and animal – even textiles were burnt as offerings to the Gods.  Architecture, e.g. the famous World Heritage Site Machu Picchu, was the glory of the Inca culture (and still is!).  Temples, palaces, terraces and fortifications of huge stone blocks were fitted together, mostly without masonry.

Sadly, our knowledge of Inca society is filtered through the world view of Spanish chroniclers. The Inca state of at least 12 million people fell very rapidly, due to superior European military technology, civil war and new diseases, especially smallpox.  Perhaps 90% of the native population, more than 10 million people, was killed or died of disease and famine after the conquest.

Almost every artefact that survives – what we see at the exhibition today – was buried with their owners.  As the cult of the dead infers, both noble and common people were interred in different ways according to tiers of importance – from ruling lords, priests, military leaders and retainers – as exemplified by their respective accoutrements and placements in their graves.

A rather kooky rite is that adorned mummified Inca elites form part of annual postmortem ceremonies where their corpses were paraded around the city of Cuzco.”


Poster Child of the Exhibition: Gold Relic of the Sun God


Children’s’ Discovery Area where photography is permitted

In summary, this is a well-curated exhibition with over 200 objects showcasing  exemplary artefact from each period of the Peruvian civilisation  from gold regalia, intricate jewellery and striking vessels to elaborate embroidered and woven cloths.  So, don’t miss out!


It is only appropriate to round up our excursion by having a Peruvian themed lunch at the Sculptural Garden Restaurant.


‘Cones’ (Bert Flugelman, 1976/82) in polished stainless steel

Finding it needed a bit of detective work as it is located outside the gallery, tucked away to the side of the garden and in a tent by the Marsh Pond.


Sculptural Garden Restaurant

In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.  The pond is filled with bronze heads with extra eeriness supported by the mist-maker.  His works speaks of victims of oppression and social injustice.  If I remember correctly, this piece, “Heads from the north’,  is about the genocide in East Timor.

(PS:  Would I want to hold a reception in the restaurant by a pond filled with heads?  Probably not!😰)


‘Heads from the north’, Dadang Christanto (Photo credit:

For this special occasion in conjunction with the exhibition, the interior of the restaurant is styled by designer Megan Morton to play up combinations of colour, good times and of course, corn – to accentuate the joy of food and family that the Peruvian culture delights in!


Interior of Restaurant


Maize ‘Chandelier’

Only Set Lunch is served in the restaurant.

What we got for our 2-course Set Lunch at $35 per person


Wholewheat Damper


Presented on a wooden paddle pan as is very fashionable now,  we have Ceviche of Salmon with Lime, Jumbo White Corn and Coriander.


Ceviche of Salmon with Lime, Jumbo White Corn and Coriander (GF)


Jumbo White Corn


Quinoa: Baked quinoa toped with avocado wasabi cream and a rocket leaf. This is bourgeois peasant food!


Sometimes, it is best not to heed recommendation of a fellow diner who you don’t know…


Twice-cooked Beef Short Rib with Chimichurri and Huancaina Potatoes.

This is a plate of disappointment of sorts:  The beef was dry – yet full of fat!  The most obvious explanation is that it is not a good cut of meat which has been pre-(over)cooked and reheated thus rendering it very beef-jerky-like in texture.  The exotic sounding ‘huancaina’ is basically a spicy cream which is otherwise ‘meh’.

Check out my leftover plate of fat!


FAT!! Fat-Die-Me! 😱 😱 😱

Not a very satisfying lunch, so a Diet Coke at the Gallery Cafe is in order…

Leonardo’s Marvellous Inventions Exhibition

Date of Visit: January 5 2010.

Following my post yesterday on Sultans of Science exhibition in Kuala Lumpur (here),  and the current new TV series ‘Da Vinci’s Demons’, I recalled an exhibition on all of Leonardo Da Vinci’s marvellous inventions and works, at Hong Kong Science Museum a few years back. The exhibition had all the replicas of models, books and paintings by Leonardo.  It was a very popular exhibition because the museum was very crowded with people from all ages.  Eventhough there were many ‘No Touch!’ signs, but people still touched the exhibits!  Urgh!

Here are some of the photos.


FLIGHT: Flapping wings, Air screw which the precursor for the helicopter

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REVIEW: Sultans of Science: Islamic Science Rediscovered @Petrosains, The Discovery Centre

Date of Visit: March 25 2013 (runs until June 15 2013)
Entry Fee: RM$20
Time taken: 1 hour

“You’ll be amazed at how many notable discoveries and inventions currently attributed to Western scientists were, in fact first made by Muslim scholars.”

Petrosains Discovery Center is a small discovery museum on the 4th floor of Suria Mall KLCC, this mall is under the famous Petronas Twin Towers. Currently on show is the ‘The Sultans of Science: Islamic Science Rediscovered’ exhibition, a global touring exhibition celebrating the contributions of Muslim scholars in science, mathematics and technology during the Golden Age of the Islamic World (700-1700 CE).

There are more than sixty exhibits providing visitors of all ages with a hands-on, interactive and state-of-the-art family-friendly experience with different zones dedicated to Engineering, Medicine, Astronomy, Mathematics, Geography and Agriculture.  The aim is to highlight the many ways in which Muslim Civilisation helped lay the foundations for the European Renaissance and has had a profound impact on the modern world.


Petrosains Discovery Centre on Level 4 of Suria Shopping Mall KLCC

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REVIEW: Andy Warhol 15 Minutes Eternal @ HongKong Museum of Art

“I am. Deeply superficial person”…

But aren’t we all darling Warhol?  And that’s the reason you are (still) accorded with more than your share of 15 minutes fame!

Date of Visit:  Twice in February but can’t remember exact dates
Entry Fee: HK$20 (HK$10 on Wednesday)
NB: Closed Thursday

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REVIEW: Henri Toulouse-Lautrec Exhibition @ National Art Gallery, Canberra

Date of Visit:  January 14, 2013
Entrance: A$25
Time I took: 2hours
Verdict: 5 Stars

While in Canberra, I took time out to view Henri Toulouse-Lautrec Exhibition at the National Art Gallery. It was a good-call since it was excellently curated from the Master’s early works following the landscapes of Monet, Renoir and Cézanne (in the Impressionist genre) progressing to “La Goulue” of the famed Moulin-Rouge poster.

I was especially intrigued by Henri’s caricaturist style of figure drawing which brought to life the characters taken from brothels and seedy clubs in Montmartre and the infamous Moulin Rouge by narrating them in a melancoly of flat colours, marked silhouettes and unusual points of view.  The tilted upturned hoinky noses, simple strokes for feet, curvy strokes and empty spaces brought movement and undoubtedly draws the audience into the excitement of his caberet.  His broke ground by boldy decking his posters with logos, which pioneered today’s advertising mojo.

La Troupe De Mlle Eglantine

La Troupe De Mlle Eglantine

Before attending the exhibition, I had no idea what he looked like nor for that matter – a DWARF – the result of generations of inbreeding – his maternal and paternal grandmas were sisters!  So I guess the sharp pointy upturned noses of his subjects were the result of his perspective from looking up people’s noses. He used simple strokes for his subjects’ feet since his own legs were stunted and child-like.  Imagine a man with a full-grown torso with tiny arms and legs!  He must have been a very shrewd and self-confident man to be able to poke fun in himself in order to be accepted into the Parisian arts and cultural scene.


Henri being very a cheeky bugger in a Japanese costume

Henri showed real feelings towards his subjects through the tenderness he depicted on their faces by spending time detailing their features. His attention is turned to personages whereby “he focuses and analyses at close the human “type” that he meets (ala Flaubert) and he presents them under an ironic distorted light with new frames, new cut of scenes, new colours and new juxtapositions of colours.”

On a closer examination of his companions’ potraits, one can see his sense of humor and his cryptic messages, eg making fun of his man-around-town friend, Louis, below with a phalic-like walking-cane tucked under his arm.

Monsieur Louis Pascal (1891)

Monsieur Louis Pascal (1891)

Henri is very “Japonaised”. He was strongly influenced by Utamaro and the Japanese ukiyo-e woodprints.  Both artists emphasized the new connections between art and everyday life eg lives of the working-class women in brothels and even lived with them.

Note the slender neck, swish of hair and state of undress… very Geisha methinks!  Also, a bit of goss aside – he has a fetish for redheads!



Henri’s monogramed ukiyo-eish signature on his painting, so similar to Asian painters’ seal.


Toulouse-Lautrec monogram

In Henri’s posters, he extrapolated the theme of the Japanese’s graphic linearism, eg the profiles of the top-hat man and the black shadows behind the subject.  He also loved splattering, which is sprinkling his painting with diluted washes of paint (you need to sneak up close to the real thing to see it).

Moulin Rouge:  La Goulue 1891

Moulin Rouge: La Goulue (1891)

Henri’s posters are art masterpieces and documents of an age – they WIN public’s love.  What makes the poster so successful was that poster resonates with the grassroot people, since it is cheap to reproduce (lithography), thus everyone can have a piece of artwork to hang in their house.  This explained why his early posters were taken down (aka stolen by his admirers) as soon as they were put up.  Hear, hear, Posters = high artwork affordable by the common people.

On a personal note, he was estanged from his father because he was a commercial artist – which was a ‘no-no’ in aristocracy.  Fortunately, they reconciled shortly before his death aged 36 because he father came to realised that he was making oodles of money!


His commercial work

Similar to contemporary rockstars, an artist needs a promoter, and his promoter was his mom. She built him a museum after his death so his legacy lives on. Viva Mama!

Some FYI additional reading:
Henri de Toulouse-L​autrec and Japanese ukiyo-e | Modern Tokyo Times
Japan Uki-yoe museum has the largest collection of Ukiyo-e collection in Japan, unfortunately the web is in Japanese.

This is my favourite painting of all – “Le Goulue with 2 women”.  Isn’t she the quintessential Grand Dame around town? Check out her style – lazy eyes, smirk on her face,  a ciggy dangling from her lips rocking the eff-the world attitudeGeez, only Henri can elevate vulgarism to classy!  LOL

James Turrell’s Skyspace @ National Gallery of Australia

Date of Visit: January 14, 2013

To be honest, I have never heard of James Turrell until I started compiling my daily itinerary for Naoshima Art Island and Kanazawa for my forthcoming trip to Japan.

The National Gallery of Australia, Canberra’s Within Without 2010 is part of a series of Skyspace art installations that James Turrell is doing across the world.  Personally, I find his idea of ‘Light as Art’ sitting a fine line between intuitively-sensitive people and time-sensitive people – since there is a time element involved to slow down in order to pontificate.

What is ‘Skyspace’?  ‘Skyspace is a viewing chamber that effects the way we perceive the sky’, it is a piece of on-site art that we enter via the footbridge into a sunken square pyramid (ie grass mound) surrounded by water.  There is a stupa inside where we take a seat, look up towards the sky and ponder or ‘meditate’.


Entrance to the art installation. A mound surrounded by water

The installation was sunken to muffle sound and reduce light pollution.  The grass mound is integral to the landscaping but being in the height of summer, the grass are drying up and dying…


An integral part of the garden’s landscaping

The colours were ethereal – turquoise water, terracotta-pink walls contrasting with the white-washed interior in the chamber inside the stupa.  It’s also rather cooling inside.


Basalt stupa inside the pyramid

Walk into the stupa via the bridge and take a seat.

What to look for?  The contrast between the artificial light within the installation and the changing external atmosphere affecting the appearance of the sky.  Watch for the changes in colour – dawn and dusk are said to be dramatic.  Sit, be patient and try to notice subtleties.  It’s an experience and takes time.


Moonstone echoing the opening (ie ‘cumulus) above

I find this remark of James Turrell very cute, whereby he was alluding the the slow-food movement that is very trendy right now to perhaps start a slow-art movement too!!


Look up towards the sky and contemplate the changing light conditions and shifthing climes


Back of Stupa – note the colours!

Needless to say, I am looking forward to see the art collaboration between an American cowboy and a Japanese ex-boxer (Tadao Ando) in Naoshima and how the cowboy manipulates light and colour in Kanazawa!

Update (August 2015):  I did not make it to Naoshima Art Island due to a grave family emergency, so Naoshima is still on my bucket list – however, I did manage to make a trip down to to Canberra to see James Turrell’s Retrospective at the NGA in April 2015 (here). ☺️

And for those of you who are interested in more of James Turrell’s works, please do check out Artsy’s James Turrell page which has his biography, over 50 of his works, exclusive articles, as well as an up-to-date  exhibition listings.


REVIEW: Alexander The Great Exhibition @ Australian Museum

My broadband connection is currently slowed down to a bleep. My brother was here for Christmas and New Year, so between the 2 of us , we really made Telstra run for the money.

I think this is a good time for me to try my hand on writing a review on the exhibition ‘Alexander The Great: 2000 Years of Treasures’ currently running at the Australian Museum. Picture taking was prohibited in the exhibition, so I shall try my best to scout some pictures on the internet for graphical appeal. Surfing the net for information and uploading the pictures will be a pain in the arse, but I shall try my best.

(Nevertheless, our speed will pick up in the next billing cycle in a few days time.)
Date of Visit: 10:30am Saturday, January 5, 2013
Entrance ticket: A$24
Time I took: 1 and 1/2 hours (but could be longer, if I wasn’t hungry or the crowd starting to build up)
Verdict: 5 stars

Invitation and Welcome: A huge colourful tapestry depicting Alexander The Great and the family of Darius was on the entrance wall. The visitor is invited to meander around the statues of Greek Gods Heracles, Eros , Meleager who had significant influence on Alexander.

Tapestry of Alexander The Great the the family of Darius

Tapestry of Alexander The Great the the family of Darius

Space 1 : An Introduction of Alexander.
Who is Alexander? Well, he was the son of Phillip and Olympias – a pair of bickering parents – sounding familiar?

I was especially intrigued in this piece. It shows an effeminate and cleanly-shaven Alexander. This was not the norm of his time because men were supposed to be manly and have beards. So, is he homosexual? Highly likely since many talented ancient men eg Leonardo Da Vinci, Hadrian, Michelangelo were…

Head of Alexander the Great

Head of Alexander the Great

Space 2 (THE BIGGIE!): Alexander‘s Empire

Here are artifacts galore from India, Persia, Egypt and countries that I have never heard of before like Sacae and Bactria (where?) Needless to say, I am very taken by the gold jewelry and silverware – very detailed and intricate handiwork the Ancients! Wow! This is some serious ear-rings!  (The photo came out small, so check it out in the museum)

Nike gold ear rings

Nike gold ear rings

I only gave the pots and architectural pieces a cursory look. The famous black Statue of Cleopatra from Egypt is there too. My favourite is this piece of Gonzaga Cameo potrait of Ptolemy II and Arsinoe – and it’s big!


Gonzaga Cameo

The large coin collection is part of Alexander’s self-promotional propaganda – clever, since every person in the Empire needs money. Since the coins were small, so there was an interactive touch screen TV which flips the coin, so one can see the reverse of the coin. I think this is very cool, and the children loves it!

The use of time-line on the wall to trace his campaign and conquests is a good idea; both to gel the various exhibits and to guide the visitor. The time-line is accompanied with a snapshot/ background info of the war.

The walk-about in Space 2 came to an end in the central rotunda with a video animation showing that sportsmanship was a big part in the Hellenic era , which was rather entertaining and still applicable to this day: The Greek-style earthen pot comes to life showing a man throwing a javelin, running, boxing and chariot racing. Well, nothing has changed much, except chariot racing is now replaced by Formula 1 racing?

Still, how did Alexander The Great died? Nobody knew for certain, but it is definitely MURDER!

Space 3: Alexander’s cultural legacy and influence.
Down the ramp to Space 3. This is an even bigger room in my opinion -perhaps due to larger spacing and brighter lights – more artifacts follow, but now the bits and pieces of his influence in art, culture, engravings, tapestries are starting to get tedious. I have used up my concentration and can’t help feeling overwhelmed. But do check out the armor made from ivory with details of lions at the weaponry section. The Ancients were really tiny, a Size 0, in modern couture sizing.  And, Yes, I got the idea that Alexander the Great had successfully spread Hellenistic ideas around the world.

Space 4: A huge shout-out to Catherine The Great for theBESTEST Alexander the Great collection in the world
In Biblical studies et al, women are subservient to men, but here Catherine The Great outshone all the men and showed that women can be as good as men or even greater!
Anyway, the reason why The Hermitage Museum in Russia had amassed such a big Alex collection is because the Russians believed themselves to be to be the Byzantine descents of Alexander The Great. Catherine used Alex as a role model and believed herself to be a direct descendent of Alex and thus added ‘The Great’ to her name.

More example of the Baroque end of Greco art showing the heroic romanticism of Alex

Space 5: A modern take on Alexander’s influences.
A display of books, movie posters. Not very interesting

Will Tilden Approve?
If I were to write a proper report, it will say: “The curatorial interpretation is very successful in the wholistic interpretation of Alexander The Great. The curator has provided information and exhausted resources to express, interpret and review the legacy of Alexander the Great itself. Thoroughly engaging. Used 400 objects from classical antiquity through to the modern age from both Western and non-Western origins. It not only concentrates on Alexander the Great in the particular time of 323 BC, it’s encompasses the whole story, the legend and influence of this Conqueror. The exhibit tells the story behind the Man; who he really was; who influenced him; the people that taught him; and the heroes he looked up to, particularly Achilles and Heracles. It’s about understanding the man.”

So HELL YEAH!! Ticked all of Tilden’s Principles

PS: Don’t forget to scan the QR reader for handy on the hand info!

Behind the scene look of Alexander The Great Exhibition:
Pictures if u can’t make it to Australian Museum:
Proper write-up: